Psalm 99—Artwork

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Person: Danielle Damrell

Danielle Damrell is a local artist and small business owner. She started a custom art, design, and lettering company called Damrell Designs, LLC in November 2017. In the winter of 2018, she was the featured ornament calligrapher for Denver Zoo’s “Zoo Lights” and has designed and created over 500 custom projects for individuals and families throughout the country. When Danielle isn’t painting and designing she enjoys spending time with her husband, daughter, and friends as often as possible. Danielle is passionate about Jesus, loving others well, and sharing about the transformational grace of what Christ has done in her life. Danielle is also a graduate student working on her degree in organizational leadership at Colorado Christian University, pursuing her long-time desire to serve in ministry someday. Danielle is currently working hard to continue to build her business and feels extremely blessed to turn her forever love of art into a career. You can connect with Danielle at danielle@damrelldesigns.com or on Facebook and Instagram at @DamrellDesignsLLC.

Piece: Mixed Media

This piece was inspired by Psalm 99. The overarching theme of this Psalm is praising the Lord for HE IS HOLY. To explain the relation of this piece to Psalm 99, we will start from the top and work down. The prominent gold crown in the top center is a representation of The Lord our “King” (v.4). Painted on the crown in small lettering is הוהי which is Hebrew for “Yahweh” or “The Lord.” The reason for the crown being a separate raised piece entirely serves as a visual representation of the Lord being exalted which Biblically means “to raise high” or “to elevate” (v.2,5,9). The angel wings on each side of the crown is a display of the description found in this Psalm of His royal throne (v.1).The gold found on the crown as well as raining down from the top is meant to show the “reign” of God from the source (His throne) as well as how that “reign” pours onto the rest of His creation (the world) (v. 1). Found in the middle of this piece are three mountains representing the trinity and the Throne of God sitting upon the highest “Holy Mountain” (v. 9). At the bottom of the mountains are shaky waves of darkness. This is a display of our fallen world shaking and trembling at the power and Holiness of our Lord and King (v. 1). At the very bottom, in the darkest parts of the painting, are small specks of gold representing all of us (believers) who display the glory and holiness of God who lives inside us, in this fallen world. The placement of these flakes of gold is intentionally at the very bottom, underneath the mountains, showing that we are to worship at “His footstool”; at the bottom of “His Holy mountain” (v. 5, 9). This is a hand-painted, mixed-media project in which acrylic paint, hot glue, extra heavy gel, and metal leaf were primarily used.

This piece was definitely my favorite piece I’ve ever created. I loved that, in order to design this, I had to take a deep dive into the Word of God and research what the original written words of this Psalm meant during the time it was written. I was challenged in the most amazing and growing ways by the Lord the entire time and for that I am so thankful.

Psalm 98—Artwork

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Person: Tower

I’m from Little Rock, Arkansas, and moved to Denver 2012.

Piece: Digital Artwork

The psalmist paints a picture of a world obsessed with joyfully praising the LORD. The diagonal fields of color suggest an energetic song of praise rising from the four corners of the earth. The righteousness and salvation of God is revealed in the sight of the nations, represented by the circle. The LORD continues to move His creation towards its ultimate destiny, when the world has been judged back into wholeness, the former things have passed away, and God is able to dwell with His people.

Psalm 97—Artwork

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Person: Beth Dryer

I am a Chicago-raised transplant that has been living in Denver for six years. I graduated from Creighton University in Omaha, Nebraska with a B.F.A. in Studio Art with an art education endorsement and have been teaching elementary art in the public school system for eight years. I have been married to my husband, Adam Dreyer, for five years, and am the mom of a busy (almost) two-year old, Ramona. These two roles have given me immense joy and changed me for the better. I am a lover of nature and am most myself when I meet God in the midst of His beautiful creation.

Piece: Acrylic

Psalm 97 speaks of God’s rule and reign over the earth as the Creator. As Creator, God has ultimate power and authority over His creation and is ultimately victorious over the enemy. The words from this passage that resonated deeply with me and served as inspiration for this painting, are “proclaim” (v.6), “preserves” (v.10), and “light” (v.11). As a sinner, I am easily impatient with God and distracted by the creation. It is easy to see the creation as ultimate and turn the beautiful things God has created into gods. But, in His infinite goodness and desire to preserve His people, God calls us to remain steadfast and see His power. Over and over again, He demonstrates His might through great works, and even His creation proclaims His righteousness (v.6). This passage has become for me a call to see God’s glory, reject evil, and proclaim His righteousness, because this is where “light is sown”.

This painting is inspired by God’s claim over His people and His creation from Psalm 97. The white and black garden in the background represents the creation by which we are so distracted by—beautiful, but dark and incomplete. The single, colorful rose is representative of God’s power over His creation and the creation’s proclamation of the Lord’s reign. Through His power, we are able to see the light and the true beauty of the Creator.

Psalm 96—Artwork

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Person: Alyssa Beck

Wife to Justin, mom to Calgary and Wilkie, in the graphic arena by trade.

Piece: Oil

Week after week I would walk into my church in Hong Kong where the nations physically joined in praising God. People from all over, of every color, were singing the same worship song in their own languages. I remember this emotional, staggering feeling being there. It was an awakening for me to the broadness of God’s reign and joy in seeing the evidence of His pursuit of creation.

I chose to paint a trumpet weaving in all the skin tones because I wanted to depict that booming sum that Psalm 96 stirs in me: the nations coming together singing one song to their King.

Psalm 95—Artwork

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Person: Taylor Powers

Taylor is a photographer. She grew up in the mountains a few hours away from Denver in Woodland Park, CO. She got her start working in the non-profit industry, photographing and storytelling for a few non-profits in the anti-trafficking arena. She’s passionate about telling stories honestly and beautifully through the visual medium of photography. Taylor now works with couples and families sharing adventure photo sessions, and spending time in the mountains with her clients. She also does branding and lifestyle photography for small businesses and entrepreneurs in the Denver area. Taylor lives in Arvada with her husband Alex and their puppy Luna. They are expecting their first baby in September this year!

Piece: Digital Artwork

This piece was something completely different than the work I normally do, which usually includes a person as the subject. Spending time reading Psalm 95, I was always brought back to the description of the way God’s hand is in all of creation in verses 3-7:

For the Lord is the great God,
the great King above all gods.
In His hand are the depths of the earth,
and the mountain peaks belong to Him.
The sea is His, for He made it,
and His hands formed the dry land.
Come, let us bow down in worship,
let us kneel before the Lord our Maker;
for He is our God…
(From Psalm 95:3–7 NIV)

I had a clear vision of a few specific places all blending together to make a collage of color and form, both celebrating His creation and responding to the call to sit in worship, in awe of the beauty of the natural world around us. These included the small details of pines trees in Colorado, the large red rock formations in Utah, and the teal waters of Lake Michigan. Creating this piece felt like such a personal form of worship, as I reflected on the natural and secluded places that have brought me closer to God. I felt called to sit in awe of His creation, and to make the choice to try and not “harden my heart” as this passage says in verse 8.

Psalm 94—Artwork

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Person: Nikki Rasmussen

Nikki Rasmussen is a digital artist and designer who graduated with a BFA in Illustration (Children’s Book emphasis) from the Rocky Mountain College of Art and Design in 2014. She loves getting to utilize her creativity to bring imagination to life—getting to see the look on someone’s face when they see their ideas become real, tangible things is the greatest gift of all.

Piece: Digital Artwork

Blessed is the man whom You discipline, O Lord,
and whom You teach out of Your law,
to give him rest from days of trouble,
until a pit is dug for the wicked.
(Psalm 94:12–13)

As I read through Psalm 94, I was struck by the way the writer cried out to multiple aspects of God: God the righteous Judge, God the Protector, and God the loving Father. For me, it brought to mind the image of hands cradling a heart, a picture that has always been a powerful way for me to visualize our relationship with God. It’s such a simple concept, yet it manages to incorporate so many different facets of what God does in our lives. God is righteous in His judgment, carefully and lovingly lifting up the hearts of those who know and obey Him.

The thorny vines in this piece display the other side of that judgment: the wrath that, for all intents and purposes, should have been directed at us, was instead satisfied through the work and sacrifice of Christ. In God’s hands we are blessed with His discipline and law, and given the opportunity to grow in unimaginable ways we could have never managed if not through Him. The flowers blooming from the heart in this piece represent that unique and beautiful growth, while the gilded nature of the heart itself shows the value our lives gain through God; a worth that could never have been achieved through striving on our own, but only through the grace and glory of God.

Psalm 93—Artwork

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Person: Lou Ann Summers

My name is Lou Ann Summers. Brent and I have been married going on 40 years. I am a mother of four and grandmother of six. I am a self-taught painter, in the truest sense of the word amateur—meaning “for the joy of it”. I feel God’s joy as He works through me to create artwork of many various kinds.

Piece: Watercolor on Yupo

Yupo is a synthetic “paper” which does not absorb water but lets the water simply evaporate, leaving the paint.

Psalm 93 speaks about God being robed in majesty. I thought of the fact that He Himself made a perfect picture of this in the sky—the mighty sun, firmly surrounded by a robe of many colors. The Psalm also repeats the “lifting up” of the sea; its pounding breakers mightier than thunder. I think the thing that impressed me most when painting this was the endless variety of colors God made in one drop of water, let alone the breaking waves of the sea! Overwhelmingly beautiful! It makes my heart surge with joy!

Psalm 92—Artwork

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Person: Benjamin Rogers

Benjamin Rogers is a Kentucky-born artist that has resided in the Denver area for the last four years with his wife Emma and son Everett. He studied painting and drawing at Northern Kentucky University, Louisiana State University, and Arizona State University where he completed his MFA. He teaches art full-time at Red Rocks Community College. His work has been featured on the covers of “New American Paintings” and “Fresh Paint Magazine” and his work has been exhibited throughout the country.

Piece: Oil Painting

This traditional oil painting combines a few thoughts that are captured in Psalm 92: The mandolin represents the musical worship described in the psalm. The knife represents the lethality of God and how His enemies will perish. The watermelon represents the sweetness of life and what it is to know God, but it also elicits a knowledge of the fragility of the watermelon. People have a physical understanding of the ease in which the knife can move through the watermelon, which is painted in a way that resembles flesh. This demonstrates the fruits of God’s goodness while reminding us that the fear of the Lord is wisdom.

Psalm 91—Artwork

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Person: Jennie Pitts Tucker

Originally from Austin, Texas, Jennie graduated with a BFA from Baylor University in 2012. She started her own art business in 2014, “Jennie Lou Art,” and now works as a full-time artist in Denver. She specializes in live wedding/event painting and custom pieces. Learn more at jennielouart.com or on Instagram at @jennielouart.

Piece: Acrylic Painting

He who dwells in the shelter of the Most High
will abide in the shadow of the Almighty. (v.1)

Last year, I went through a long season of depression and anxiety. In the midst of the ever-present darkness in my mind, I often felt alone and afraid. I came across Psalm 91 in my desperation, and found the words comforting and soothing to my fears. Although it took many months (and doctors) to help me come out of depression, I always held on to a sliver of faith. I had hope that God would restore my joy and help me out of this miserable mindset. All I had to do was dwell in the shelter of my Savior, and trust I was safe in His shadow. Today, the Lord has brought me from darkness into the light again, He has restored my joy. Looking back, I can see how the Lord was with me, even when I felt so alone in the darkness. Despite what I saw and felt, He was working out my redemption and salvation, even in the dark, making me more like Himself.

Because you have made the Lord your dwelling place—
the Most High, who is my refuge—
no evil shall be allowed to befall you,
no plague come near your tent.
For he will command his angels concerning you
to guard you in all your ways. (v.9–11)

This painting is an abstract illustration of the very real conflict that arises within us when our emotions tell us one thing and the Truth of God’s Word assures us of another. The dark parts of the painting represent how we can so often feel like we are alone in the darkness and sin consumes us as we wander in the wilderness—we feel trapped and desperate for a way out. The bright colors rising beyond the cave represent the reality that our Father is working out salvation in the depth of our darkness. Although the figure is physically in a dark space alone, praying for God’s help, there is something happening just beyond what she can see—Eden is arising out of the darkness. Life rises from the darkness, and Jesus rose to bring us life. This painting is a picture of our Savior, Jesus, and how his death assures us of life and purpose, even when we cannot see.

Because he holds fast to me in love, I will deliver him;
I will protect him, because he knows my name.
When he calls to me, I will answer him;
I will be with him in trouble;
I will rescue him and honor him.
With long life I will satisfy him
and show him my salvation. (v.14–16)

Psalm 90—Artwork

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Person: Bruce Butler

I am a graphic designer and musician from the East Coast. In 2012, I moved to Denver from Buffalo, New York to be closer to family and began designing for WorldVenture, a missions organization in Littleton. Now I create brands and digital artwork as a freelancer and work in the specialty coffee industry through Sweet Bloom Coffee in Lakewood. I co-lead a Gospel Community in the Sloans Lake neighborhood and, in my free time, I enjoy playing music, cooking with friends, and spending time with my nieces and nephew. You can see more of my work on Instagram at @madebybruce or by visiting madebybruce.com.

Piece: Digital Artwork

In Psalm 90, Moses writes about the brevity of life and God’s provision therein, charging his readers to pray with him, “Teach us to number our days, that we may get a heart of wisdom.” (v.12) The piece depicts a human life, starting on the far left with the silhouette of an infant, maturing progressively to become an old woman on the far right. In each increment, a different image is shown, starting coherently in the center and losing its stability as it drifts away toward the top and bottom edge of the piece, becoming almost dreamlike. Rhetorically, this first seeks to illustrate that each season of life is greatly variable from the next—more complex than “Spring, Summer, Fall, Winter,” but no less diverse. Second, though it seems clear in the moment, every season is hardly discernible at its edges, and for each human life as a whole, Moses writes, “You sweep them away as with a flood; they are like a dream…” (v.5)